'Judas & The Black Messiah's' LaKeith Stanfield Escalates Charlamagne Tha God 'Beef' By Bringing Gun Into Equation

HipHop News Posted on February 22, 2021 at 8:32am

'Judas & The Black Messiah's' LaKeith Stanfield Escalates Charlamagne Tha God 'Beef' By Bringing Gun Into Equation

Their issues stretch back to November 2019 when the 29-year-old actor claimed outlets such as 'The Shade Room,' 'The Breakfast Club' and 'WorldStar' are anti-Black.

Judas and the Black Messiah actor Lakeith Stanfield isn’t quite ready to let his purported beef with Charlamagne Tha God go. On Monday (February 22), Stanfield posted then deleted a video of himself pointing a gun at a photo of The Breakfast Club co-host.

Stanfield and Charlamagne’s dormant feud was revived following Charlamagne’s recent interview with Stanfield’s Judas and the Black Messiah co-star Daniel Kaluuya.

During the conversation, Charlamagne asked Kaluuya if Stanfield’s role as FBI informant William O’Neal made him look at him any differently because of how well he played the role. Kaluuya then asked Charlamagne if the question had anything to do with their past to which he replied, “I never had an issue with him. I do feel like he was born to play this role, though.”

The comment caught Stanfield’s attention and he fired back in another since-deleted Instagram comment, “Hoes. This is what hoes do. Get sonned by the reality. Get off me bro u a lame. Daniel ain’t an idiot. Leave me be dog and find somebody else @cthagod.”

 

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Charlamagne and Stanfield’s issues stretch back to November 2019 when the Get Out actor claimed outlets such as The Shade Room, The Breakfast Club and WorldStar are anti-Black.

“It’s a fact that a lot of these platforms are usually or tend to be feeding grounds for negative reinforcement toward BLACK ‘nonconformists,’” he wrote on Instagram at the time. “They bolster faux vanity and hold a white supremacist scope over black men and women often highlighting negative attributes and downplaying mind expanding ones.

“They serve as bottomless coward consumption pits and digital, audio, or otherwise mentality museums.”

 

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